Showing posts with label Tilda Swinton. Show all posts
Showing posts with label Tilda Swinton. Show all posts

Wednesday, December 8, 2010

Today's Must Watch: 14 (Silent) Character Types

Oh to have the New York Times arts budget. They've asked 14 actors to recreate classic character types in 1 minute segments and the results are at turns breathtakingly gorgeous (Natalie Portman), funny (James Franco), exciting (Javier Bardem), questionable (Jesse Eisenberg?) and sometimes plain old garden variety awesome (Tilda Swinton's Falconetti?) Yes please.

Tilda Swinton
Noomi Rapace
Anthony Mackie

But my favorite might be Jennifer Lawrence's screaming victim.


Watch all 14 here (also starring Vincent Cassell, Chloë Moretz, Matt Damon, Michael Douglas, Robert Duvall and Lesley Manville.)  It'll only take you 14 minutes!

Friday, November 5, 2010

50 Appropriate Ways to Celebrate Tilda Swinton.

The fabulous Tilda Swinton is now a half century old young timeless -- old, young... these concepts are too limited when it comes to the greats. But fact: On November 5th, 1960 Tilda Swinton first came into the world. So a tribute is most definitely in order.

50 Appropriate Ways 
to Celebrate Swintonian Greatness




  • Be a genius.
  • Dye your hair white blonde... or bright red.
  • Be colorful.
  • Imagine you have deep Scottish roots.
  • Create an eccentric personal film festival.
  • Attend any film festival near you.
  • Have tremendous commitment to your art. 
  • Exhibit tremendous loyalty to your friends.
  • Watch a Derek Jarman film immediately. (This should have been first. Just pretend you did it first.)


  • Stand naked in front of the mirror with your goodies tucked. 
  • Say "Same person. No different at all. Just a different sex"
  • That's right. Watch ORLANDO (1993) again. It's so good.
  • Break the fourth wall with Jimmy Sommerville blasting behind you as soundtrack.
  • Clone yourself.
  • Enjoy your own company.






  • Pretend your children (or niece & nephews) are twins. Call them "Xavier" and "Honor" all day. 
  • Invite a friend over and do a crazy photoshoot. You photograph so well! 
  • Pose for a talented painter.
  • Become a muse for multiple creative types: fashion, film, art, music. Anything!
  • Experiment with an open relationship.
  • Wear attention-grabbing shoes.




















  • Offer a young bratty boy some Turkish delight.
  • Wear a shapeless baggy black dress to an important event.
  • Don't wear makeup just because people expect you to.
  • Pretend you've just won an Oscar. (You don't have to pretend that you deserved it. You sure did.) 



  • Learn another language. 
  • Be cultured. 
  • Join the 8½ Foundation.
  • Complain to everyone who will listen that Tilda should have won a second Oscar for Julia last year. 
  • Remember that art is more important than money. (Only sell out temporarily in short doses... even when the offers come flooding in.)
  • Be androgynous.
  • And/or appreciate the androgynous in others. 





  • "Do not fade. Do not grow old."
  • Never lack for imagination.
  • Be your own person. There is only one you.










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Thursday, October 7, 2010

Kristin Scott Thomas Wanted Tilda's Role in "Burn After Reading"

The latest issue of French Premiere has hit the newsstands 'cross the Ocean. It's a big Harry Potter issue with new photos and such but if you look at the top left hand headline you can see the hallowed name of Kristin Scott Thomas, one of the few British acting giants that didn't teach at Hogwarts. Kristin has lately been headlining French films like Leaving (now in theaters) and, of course, I've Loved You So Long a couple years back. 

I had the pleasure of interviewing her a couple of years ago and she struck me as surprisingly unguarded and honest about her career ups and down. Premiere asked her if she ever watches movies and wishes she had played that role. "Of course, all the time" she answered (!) and then some.
Les rôles de garçon, surtout. Il y a aussi Burn After Reading des frères Coen, dans lequel je voulais tourner, mais ils ont préféré prendre Tilda Swinton. Et je suis aussi très fâchée contre Stephen Frears, parce qu’il ne m’a pas proposé le rôle de la femme de l’écrivain dans Tamara Drewe. Tamsin Greig est formidable, mais quand j’ai vu le film, je n’ai pas pu m’empêcher d’aller voir Stephen pour lui demander pourquoi il n’avait pas pensé à moi. Je rêve de tourner avec lui et il le sait très bien !
 Kristin Scott Thomas and two roles she wanted to play.

My french is of the high school variety but basically she's jealous of the men's roles first and foremost. She also alludes to having auditioned for the Tilda Swinton role in Burn After Reading but the Coen Brothers preferred Tilda. I heart Tilda but I could totally see KST barking orders at George Clooney and John Malkovich while chopping carrots or driving through DC, can't you? She also approached Stephen Frears after seeing Tamara Drewe. 'Why hadn't he thought of her for the role played by Tamsin Greig?'

About the Oscar loss (The English Patient) and the snub for I've Loved You So Long, she has this to say.
Un jour, quand j’aurai 95 ans, ils m’amèneront sur scène et me donneront un prix pour l’ensemble de ma carrière. Mais je n’ai pas vraiment besoin de récompenses. De toute façon, je ne gagne jamais rien, ni loto, ni tombola, ni Oscars.
This is something humorous along the lines of  'I never win anything -- lottery, Oscar -- but I don't need awards.' Maybe when she's 95, they'll bring her up on stage for career honors?

 Kristin and Sergí Lopez in Leaving (Partir)

Kristin Scott Thomas is still inarguably vivid onscreen at 50 and what's more she's still erotically viable, too. Leaving is full of randy sex scenes with Sergi Lopez but my favorite moment in the film is one where her husband (played by Yvan Attal, Charlotte Gainsbourg's real-life man), who has learned of her affair verbally assaults her marking her "sluttish grin" and comparing her to a cat in heat. The moment, which is nasty but unfortunately relatable (given the outright flaunting of her affair), wouldn't work half as well if you hadn't already marked how much she's abandoned herself to desire.

One hopes more directors and casting directors start to notice how well she's maintained her particular screen magic. Maybe her role in Nowhere Boy, in which she's typically excellent playing the key role of John Lennon's (Aaron Johnson) disciplinarian aunt can remind them what they're missing when they don't consider her for the meaty parts. If that pre-fame Beatles biopic takes off at all, it's easy to imagine Oscar traction for her role in Best Supporting Actress.

Can you imagine her in Tilda's Burn role? Do you plan to see Nowhere Boy?
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Friday, September 10, 2010

Venice Red Carpet: The Town, Potiche, Meek's Cutoff

Toronto kicked off last night but before we get to our coverage there -- we'll be hearing from the same folks who covered Toronto for The Film Experience last year -- Venice is starting to wrap up. Awards will be announced before you know it.

The most 'Hollywood' Venice premiere was probably The Town which brought out the happy familiar faces of Ben Affleck, Rebecca Hall, Jon Hamm and last year's Best Actor nominee Jeremy Renner (The Hurt Locker).


Is it just me or is it always a bit odd to see Jon Hamm smiling? He's smiling so much lately and with that career you'd be smiling too. But it's so UnDraper! These townies had prophetic reason to be happy. Reviews were kind. Here's a sampling:
  • Cinema Blend "bigger by nearly every measure" [than Gone Baby Gone]
  • Newsweek "Affleck’s heist movie is part of a career turnaround so amazing that he looks like the new Clint Eastwood"
One of the most exciting things for cinephiles about film festivals is that they tend to be more auteur-focused than any other movie event.

Tykwer, Miike, Ozon and Guadagino

Tom Tykwer was promoting his latest Drei, a film about a bisexual love triangle between a long time couple and the man they both fall for (unbeknownst to each other). Obsessed With Film called it "punchy and inventive" but wasn't completely bowled over. Tykwer has yet to recapture the type of international enthusiasm that greeted his breakthrough Run Lola Run (1998) but every few years or so we get another good looking movie like Perfume or The International.

Takashi Miike
makes a new movie as often as I write a blog post. At least it seems that way. He's twice or thrice as prolific as Woody Allen. The man behind violent sensations like Audition and Ichi the Killer (and many others with less staying power) was premiering 13 Assassins.

François Ozon is one of the best directors of eye candy movies in the world with a gorgeous filmography that includes 8 Women, Water Drops on Burning Rocks and 5x2 among other gems. He's also sweet to look at offscreen. I'm just saying. The gay auteur was in Venice to premiere Potiche, his latest confection starring a starry buffet for hungry francophiles: Catherine Deneuve, Karin Viard, Sergi Lopez, Gerard Depardieu, Judith Godreche among others. Yum yum. Ultimate Addict was totally entertained citing its "snappy, hilarious dialogue" and calling Deneuve "a joy to watch" though you can cut and paste that description into every Deneuve review, n'est-ce pas?

Luca Guadagnino, Tilda's I Am Love director was also in town. He's on Tarantino's competition jury. I include him because I am nuts for I Am Love and his proposed Auntie Mame remake with Tilda in the lead is the greatest movie ever made that doesn't actually exist yet. Ohmygod I want to see that like three years ago. Please make it. If only I were a multi-millionaire and could fund the project myself. This is why I should have been born rich instead of poor. I could have supported so many worthwhile creative endeavors. (Sigh)

Michelle, Tilda, Paz and the immortal Deneuve

But we mustn't forget the actresses beautifying the red carpet.

Michelle Williams is sharing a closet with Carey Mulligan? They're like twin pixie fashionistas. Michelle was in town for her role as Kelly Reichardt's (Wendy & Lucy) main muse, this time in the western Meek's Cutoff.
  • Time Out London "just as rich, nuanced, mysterious and low key as anything she's made."
  • Guardian "far from action packed, but still gripping."

Tilda Swinton appears magically wherever there are A list festivals. It's a rule of the cinema nature ...a benevolent one, too.

Paz Vega. Remember her? Would Spanglish jog your memory or have you tried to forget it?
She's in town with the Italian drama Vallanzasca.

Anyway... we could do this all day. But the question is now who will take the prizes from Tarantino's jury? Guy Lodge has predictions. Will Natalie Portman's psycho ballerina win her the Best Actress prize? Will a non-English language picture rise to the top, forcing the media to note that not all movies are from Hollywood? Venice pulls the curtains closed tomorrow.

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