Link Catches Us (As We Catch Up)

The Fighter
In Contention Sports Illustrated names The Fighter "the best sports movie of the decade." I guess they're using that 2001-2010 definition. Hate that. I like to end with the 9s.
Low Resolution Speaking of The Fighter. Check out Joe Reid's awesome post "The Art of the Skank"


Cartoons
Milo oh, this is lovely. Toy Story 3 by the numbers. Tons of infographic pleasure... if thinking about how bank accounts of Pixar executives gives you pleasure that is.
The Exploding Kinetoscope FYC: Arguments for the Extermination of the Human Race. (Wow, someone hates Shrek even more than I do!)
EW Inside Movies Anne Hathaway knows her awards history. Texts Jake Gyllenhaal on his first Golden Globe nom. (Even I had forgotten that he wasn't nominated there for Brokeback)
Blog Next Door What the Disney villains teach us.

Mackie & Washington. Yay.

Randomness
Invisible Woman asks you to see Night Catches Us starring Kerry Washington and Anthony Mackie. We plan to, yes we do. Soon.
popbytes Oprah Winfrey must be stopped; Hugh Jackman injured
Salon "Why is Disney hiding the original Tron?"
Little Gold Men the Coen Bros talk to Vanity Fair about True Grit

The Social Network
Remember when everyone was writing about that movie nonstop? It's happening again. Scanners does a comparison with Carlos, another richly layered movie winning critics prizes, and Nick at Nick's Flick Picks has shared ten intriguing thoughts in two parts.The Toronto Film Critics Association just gave it another "best of the year" citation.

Year in Review
Vulture "25 Best Performances That Won't Win Oscars" from Tom Hardy (Inception) to Alexander Siddig (Cairo Time). It's a great list overall but totally spoiled by two little girls, one of whom was genuinely great in another movie this year, so why not make it that one (Yes, Mia Wasikowska's The Kids Are All Right performance is > Alice In Wonderland times 1,000,000)
Twitter "The 10 Most Powerful Tweets of 2010" from Haiti relief to Conan O'Brien half-assed
10 Best and 10 Worst from one of our favorite critics Tim Robey at the Telegraph.

Finally... 

Remember way way back (ok, only two years ago) when I invited you to the wedding of "Boobs & Abs". They've split. Yes, The Green Lantern and The Black Widow are divorcing.  Speaking of Scarlett Johannson, Jon Favreau is leaving the Iron Man franchise. Given that ScarJo's performances feel more listless than ever these last few years, how about Sofia Coppola for Iron Man 3's directors chair. Maybe the fanboys wouldn't appreciate it but at least they'd get some great shots of Black Widow's ass. Plus that f/x related scene in Coppola's Somewhere, with Stephen Dorff interminably stuck in the makeup chair, is one of the best moments in that inside Hollywood movie.

Yes, No, Maybe So: "Green Lantern"

Another round of insta-judgments. Just add trailer. Suddenly we know if...

• yes) we're buying tickets
• no) we're shunning the movie, or...
• maybe so) withholding the judgments until we have more info.

Maybe so is usually the correct answer. Sometimes great trailers lead to disappointing movies. And sometimes virtually every piece of marketing for a movie will practically beg you not to see it when you might actually like it if you do  (*cough* TANGLED... more on that soon).

But it's hard not to pre-judge. Commercials invite you to do just that.

In brightest day... in blackest night... 

Ryan "Sexiest Man Alive" Reynolds stars as the Hal Jordan incarnation of Green Lantern. There have been many Green Lanterns, both before and after him but Hal is the most famous.

Yes. For those of you who are unaware, Green Lantern is actually not just any old superhero. He's powerless. The power is in his ring, a mystical device, and though he's superheroic, he's but one of many. In a way he's like an anonymous everyman worker-bee hero. It's an interesting twist on the typical one-of-a-kind hero concept if you stop to think over it. Which is why I was hoping some really crafty creative type would've pitched this as Green Lantern Corps to some cable station, and made it a really intelligent sci-fi multiple worlds series using something complex/multi-dimensional like Battlestar Galactica as inspirational role model rather than IronDevilSpiderBatSuperHulkMan. Instead it looks like we got...

No. ...just another Superhero Origin Flick. You've got your boyman who is suddenly given the gift of great power and he has to learn adult responsibility and heroism while some bland but beautiful girl encourages him from the sidelines. Sound familiar? It should. And: YAWN. I get that we need our hero myths. But do they have to be so similar every time? Also I laughed so hard this afternoon when @MediaObsessed said on twitter

Blake Lively as a fighter pilot? Oh Hollywood, sometimes penises should not be allowed in casting decisions.

HEE. So so true. I was worried about the casting from the get go. Ryan Reynolds is somewhat talented but there is something a touch blande/assembly line about him... like he's the photograph of a star rather than the flesh and blood actuality (though we totally thank him for the approximation of flesh part). When you add the Hot Girl of the Moment as the love interest it starts to just seem really... generic, like no one had a vision other than a Hulk-like grunted directive "Make Tentpole. Smash Puny Box Office Records."

Maybe So. Er... uh... I got nothing this time. It just looks so generic. It doesn't even look like good eye candy. The visual effects are generic too. It's hard to imagine this even being in contention for Best Visual Effects at the Oscars for 2011. Unless it's a really weak year. They do have 5 visual effects slot now. My point is this: I curse the day that CGI made filmmakers so lazy about the aesthetics of power. Why do all spells, mutations, powers, mystical or scientific equal gaseous colorful swirls?

I'm not interested. I'm a no. I know I complain about superhero movies a lot but I actually love superheroes. Like most boys and some girls, I grew up adoring them. I just want their movie doppelgangers to have more individualized personalities and to be made with real care for the big screen.

You?