Showing posts with label QT. Show all posts
Showing posts with label QT. Show all posts

Monday, January 3, 2011

Quentin Tarantino's Top Ten

No, no not mine. Not Nathaniel's. my top ten list is coming. Patience. I was waiting for the new site to be available but it's still coming and going. It apparently fancies itself an online Brigadoon but on a much speedier rotation. But since we love it when people within the movie industry actually reveal their favorites, let's share Quentin Tarantino's.


QT's Top Ten of '10Links go to blogposts about those films.

  1. Toy Story 3
  2. The Social Network
  3. Animal Kingdom
  4. I Am Love
  5. Tangled
  6. True Grit
  7. The Town
  8. Greenberg
  9. Cyrus
  10. Enter the Void
He also likes (in descending order): Kick-Ass, Knight and Day, Get Him to the Greek, The Fighter, The King's Speech, The Kids Are All Right, How to Train Your Dragon, Robin Hood, Amer and Jack-Ass 3D.

It's an eclectic mix (toons, gleeful violence, melodrama, indie comedies, Hollywood hits) as one should expect from a filmmaker who is a total original despite also being one of the Great Appropriators of modern pop culture. How close will that top ten list above be to his Oscar ballot? I always wonder if AMPAS members actually put their ten favs on their ballots, or if they just vote for their favorites among those they think have a shot?

Hitfix notes that Sofia Coppola's Somewhere, which took the Venice prize that Tarantino juried, does not appear in his top 20. Having served on a few juries myself, I can assure you this isn't odd. You always have a very limited pool to vote on at festivals. Maybe Somewhere is his 21st favorite of the year, you know?

But what I REALLY want to know, and I'm sure you do too, is who goes on his director's ballot? Looking at the list above can we guess it's something like
  • Lee Unkrich (or does he share the reservations about animation directors competing with live action directors that many voters must feel given that no animation director has ever been nominated?)
  • David Fincher
  • The Coen Bros or Ben Affleck?
  • Luca Guadagnino (I Am Love) or David Michôd (Animal Kingdom) for overseas breakthroughs?
Can I buy a movie ticket to see that ballot?


Tuesday, September 28, 2010

Sally Menke (RIP). Tarantino Films Will Never Be The Same Again.

Terrible news to report. This morning Sally Menke's body was discovered in Beachwood Canyon. She was 56 years old. It may have been California's extreme heat on Monday when she went missing but details are still emerging. She had been hiking with her dog, a black lab (the dog is okay). The amazing film editor was best known for her work with Quentin Tarantino. She edited all of his feature films.


Christoph Waltz poses with Tarantino's editing queen Sally Menke, during
the awards run for Inglourious Basterds.


So you can thank her in part for the wondrous control of Tarantino's very distinctive pacing, intricate performance shaping (and so many great performances had to have been carefully shaved, trimmed and aided by Sally's deft hands), freeze framing (just mentioned!) and not least of all those incredibly precise long-form action sequences in Kill Bill Vol 1 and Kill Bill Vol 2.



And here's a lovely compilation from Inglourious Basterds of the actors saying "hi Sally" before and after takes to amuse her in the editing room. My favorite is Til Schweiger's. He's so serious in the film but such a goof here.



Heartbreaking in retrospect but so sweet to think about. She must have so enjoyed these moments.

Fine farewells:
  • Edgar Wright (Scott Pilgrim vs. the World) shares his last conversation with her. 
  • Aint it Cool News Tarantino: "I don't write with anybody. I write by myself. But when it comes to the editing, I write with Sally."
  • ArtsBeat She was also hiking when she first heard she got the Reservoir Dogs job.
  • Joblo Menke's own words having worked through both of her pregnancies "my babies had Tarantino movies played to them in the womb, but they seem to have turned out OK."
Our hearts go out to Menke's family and to QT.

Trivia: She was nominated for an Oscar twice for Pulp Fiction and Inglourious Basterds. Here at the Film Experience she won two medals, the bronze for Basterds and a gold medal for Kill Bill Vol. 1 (2003) --  I'm still horrified that the editor's branch didn't honor her genius there.

Sunday, September 12, 2010

Miscellania: Claude Chabrol (RIP), Venice (Post-Mortem), TIFF (First Impressions)

As you've undoubtedly heard, the French auteur Claude Chabrol passed away at 80. Both The Telegraph and Glenn Kenny have fine obits for your reading pleasure and if you can read French, Le Monde collects testimonials from many cinematic luminaries to honor him. I didn't know his career as well as I should but I quite liked both L'Enfer (1994) and the recent Ludivine Sagnier love/murder triangle A Girl Cut in Two. (The two of them are pictured to your left.) The prolific director's Le Beau Serge was the first French New Wave offering and we should all probably program ourselves mini-fests to catch up on his best work. Any suggestions? I'm reading these titles a lot: The Cry of the Owl, Les Biches and Le Boucher. I suppose it wouldn't hurt to catch up with any of his Isabelle Huppert collaborations either. Here's his available filmography from Netflix, LOVEFilm or GreenCine, depending on your rental pleasure.

A much less permanent goodbye, is the Venice Festival Post Mortem. Venice will be back next year... perhaps I should start saving those non-existent pennies? In Contention's Guy Lodge says arrivederci with some thoughts on the surprise jury decisions. But a lot of people are crying foul or, rather, "favoritism!" since Tarantino once dated Sofia Coppola and is also friends with Monte Hellman, who received a special award.

a disturbing still from Balada Triste de Trompeta

CineEuropa also shares a few interesting words from the double winner writer/director Alex de la Iglesias the man behind the "political slasher" Balada Triste de Trompeta aka The Last Circus. It sounds like he was on the (happy) defensive as early as the awards ceremony. His film was not one of the festival's well received entries, at least not critically.

Meanwhile TIFF is in full swing.

My day is a little crowded today with off blog happenings to investigate everything, but for now a few links. The Mickey Rourke / Megan Fox Passion Play has been declared a head-scratcher, Robert Redford's Lincoln assassination aftermath drama (aka The Conspirator) is actually getting good press and has modern political resonance. Unfortunately, it still needs a distributor to win Oscar buzz. Speaking of Oscar buzz, Miranda Richardson's definitely going to get it (the buzz I mean... not neccessarily the statue) for Made in Dagenham since the early reviews all single her out. Sally Hawkins could be a Best Actress contender as well but that awful snubbing for Happy Go Lucky might indicate that they just don't respond to her. I've adjusted my supporting actress page because it didn't look right to me anyhow and the virtual ink hadn't yet dried. Excitement is also building for the premiere of Rabbit Hole tomorrow -- here's a pic I hadn't seen from the set.

Finally...
Are you joining us for the next "Hit Me With Your Best Shot" roundups? All you have to do is...
  1. watch the movie
  2. post your favorite single image to your twitpic, blog, site, or other online shareable space and we'll link up.
Consider it an eye-candy focused mini blogathon each week. I've included the "instant watch" options if available for Netflix. Otherwise you have plenty of time to rent.

09/15 Pandora's Box (1929) instant watch
09/22 Se7en (1995, exact 15th anniversary!)
09/29 La Dolce Vita (1960) instant watch
10/06 Requiem for a Dream (2000, exact 10th anniversary!)
10/13 ...and then maybe a horror film for a possible Season 1 HMWYBS finale ... but which? (Trying to decide if we'll have the stamina to keep it up. Perhaps we should go monthly? Certainly more participation would invigorate. hint hint.)

Add your discerning eyeballs to ours to honor these fine movies.
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