Foreign Film Oscars: International Beauty Pageant.

If you'd like to read about the now official Oscar submissions for Best Foreign Language Film,  click away. But because you -- make that we -- can't see most of the films, due to the hideous state of international distribution, let us use this Academy press release as an excuse to take a different view, a sexytime view... a Beauty Break if you will. Let's gawk at the actors and actresses who are in the submitted films. We'll pretend it's like a Miss Universe pageant (how do you say "shallow" in Finnish?). Randomly selected hotties follow (it's not easy to find info/photos.) whether you're into the men, the women or other. Don't judge!

Beauty Knows No Borders
I presume you'll let me know your very favorites in the comments. Do I presume too much?

Handsome Guys...

Left:  Bill Skarsgård a.k.a. Alexander's lil brö (20) for Sweden's Simple Simon.
Right: Oscar Guerrero (age unknown) for Puerto Rico's Miente / Lie.

Oh the imperfections of the web: Guerrero is obviously famous having been in several films and soap operas and yet he has neither a wikipedia page nor any personal information on the IMDb. Weirder still, the IMDb does not even list him as appearing in Miente, a film in which he plays the lead role!

Left: Mark Chao -- or Zhao depending on your info source -- (26) for Taiwan's Monga (see previous post). He also sings.

Right: George Pistereanu (19) for Romania. Some people think he looks like...

Left: Gael García Bernal (31) for Spain in Even the Rain. He's from Mexico and the most familiar face in this year's submission list outside of Javier Bardem, who is from Spain representing Mexico with Biutiful. They've flip-flopped countries, submission-wise. I sat two rows behind them -- they were together so I assume they're friends -- in Toronto for The Sea Inside premiere back in 2004. Memories ♫
Right: Boris Ler (25) for Bosnia Hersegovina in Danis Tanovic's Cirkus Columbia.

Left: Coco Martin (26) who stars in Noy for The Philippines. (see previous post)
Right: Santiago Cabrera (32), who you'll remember from the TV show Heroes (first season only -- the tortured artist) who is the romantic lead of Chile's The Life of Fish. The Chilean actor was born in Venezuela, speaks four languages and lives in London. International!

Left: Pablo Derqui (34) for Costa Rica's Of Love and Other Demons. He was born in Barcelona and is a TV star in Spain.
Right: Asser Yassin (29) for Egypt in Messages From the Sea.

Left: Aarif Lee (23) for Hong Kong's Echoes of the Rainbow. He won the Best Newcomer Award in the Hong Kong Film Awards for this role. He's starring in a Bruce Lee biopic next. Here's more info on the Lee picture.
Right: Mateusz Kościukiewicz (24) for Poland. He stars in the punk rock drama All That I Love. At least one website names him the Polish Robert Pattison !

Gorg' Ladies...

Left: Maria Bonnevie (37) for Norway in Engelen (Angel). See previous post for more on Maria.
Right: Lubna Azabal (age unknown) for Canada in Incendies (it's one to watch for the finalist list, I think). She's from Belgium and of Moroccan descent.

Left: Sibel Kekilli (30) for Germany's award winning When We Leave. We are fond of her.
Right: Blanca Lewin (36) for Chile in the romantic drama The Life of Fish. She's a television star there.

Left: Takako Matsu (33) for Japan in Confessions (see previous post for exciting trailer). She won several best actress awards recently for the melodrama Villon's Wife.
Right: Micaela Ramazzotti (31) for Italy in The First Beautiful Thing. She plays the young mother of two kids in this nostalgic memoir. (The role is shared with award-winning Stefania Sandrelli when the mother gets older). Lotsa photos of Micaela... she currently has darker hair.

Left: Jana Zupančič (age unknown) for Slovenia's 9:06. Like Guerrero up top she's also not listed on the IMDb as part of her submitted film, but she's one of only three actors on the poster. You may remember her from last year's submission Landscape No. 2 (previously reviewed right here).
Right: Mariana Santángelo (34) for Puerto Rico's Miente / Lie. She's from Argentina.

For Specialized Tastes...

Left: Jenny Larrue & Cindy Scrash who play rival transsexual cabaret stars in Portugal's To Die Like a Man.
Right: Various for Hungary in what must be the oddest Oscar submission this side of Uncle Boonmee. It's called Bibliotheque Pascal.

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If you'd like to read more uh... professional and totally official info on the Best Foreign Language Film Submissions, click for whichever country you're interested in. On the charts you'll see posters, official site links for further exploration, distribution status (US based only, sorry) and basic trivia. As always the best way to see any of them is to pay close attention to festival schedules in cities closest to you.

• Albania to France
  23 films: East West East, Outside the Law, Carancho, La Pivellina, The Precinct, Third Person Singular Number, Illégal, Cirkus Columbia, Lula the Son of Brazil, Eastern Plays, Incendies, The Life of Fish, Aftershock, Crab Trap, Of Love and Other Demons, The Blacks, Kawasaki's Rose, In a Better World, Messages From the Sea, The Temptation of St Tony, The Athlete, Steam of Life, and Of Gods and Men.
• Georgia to Nicaragua
  21 films: Street Days, When We Leave, Dogtooth, Nuummioq, Echoes of the Rainbow, Bibliotheque Pascal, Mamma Gogo, Peepli Live, How Funny This Country Is, Farewell Baghdad, Son of Babylon, The Human Resources Manager, The First Beautiful Thing, Confessions, Strayed, The Light Thief, Hong Kong Confidential, Mothers, Biutiful, Tirza and La Yuma.
• Norway to Venezuela
  21 films: Angel, Undertow, Noy, All That I Love, To Die Like a Man, Lie, If I Want to Whistle I Whistle, The Edge, Besa, The Border, 9:06, Life Above All, A Barefoot Dream, Even the Rain, Simple Simon, La Petit Chambre, Monga, Uncle Boonmee Who Can Recall His Past Lives, Honey, A Useful Life, and Hermano.

Foreign Film Race: Coco Martin's Winning Moves, France's Losing Streak

Coco Martin (left) is smiling because his career is going so nicely, thank you very much. He employs the savvy modern move of many a contemporary Hollywood star which is to say he alternates between mainstream projects for the fame/money and indie films for the cred. 'One for audiences, one for me' as it were (see also: Clooney, Moore and dozens of American A-listers). The irony for stars outside of the Bollywood and Hollywood mega-systems though is that the "art" or indie projects are really the only way you get fame/money in the international sphere, since that's the stuff that travels and wins international honors in other countries

Coco is the star of the Pinoy Oscar submission Noy which he also co-wrote and co-produced. If you recognize him at all, it's probably as the frequent muse of The Philippines most internationally recognized director Brillante Dante Mendoza for whom he starred in the violent Cannes lauded/loathed Kinatay, the gay DVD hit The Masseur and in Serbis about a troubled family running a porn theater which had a brief US run.

Mendoza has nothing to do with this film, but I bring it up because Coco's next film, a reunion with Brillante Mendoza, is called Captured and will co-star none other than Isabelle Huppert. Talk about reasons for a young actor to smile.

 Coco plus Isabelle for lucky man Mendoza

I'm pretty sure I compile the foreign film charts each year mostly due to my OCD with movies. Sadly, with distribution the way it is and the new Academy Best Picture field expanded to 10, one dream of mine will always be a windmill to tilt at. I've always wanted to cover both races head on, as if it's Best English Language Picture vs. Best Picture in a Language Other Than English for some invisible Best of Best Statue within the same Oscar coverage year. But now, even if all of 15 pictures were released in time, which they never are, it'd be a lopsided head on battle, 10 against 5. The symmetry is all ruined even if the sorry state of foreign film distribution hadn't already done the dream in.

Still... in the fantasy movie land inside my head where there are never any time constraints and watching movies happens in the blink of an eye so you can fit dozens into each day without eye strain, I have always hoped to one day place them head to head, like Best Foreign Film Shortlist 1970 vs. Best Picture Shortlist 1970 = which is better? which is the best of the best? Etcetera. Someday...

Austria to France. I've just seen France's entry Of Gods and Men and it's a strong tear wringing contender that handily avoids the treacly by going quiet and meditative to look at the last days of a Christian monastery in an increasingly terror-addled Muslim village. I definitely could see it shortlisted but I'm not sure it's a "winner". France has had difficulty with that in the past 30 years. In fact, since their amazing run in the 1970s  -- they won four times in just one decade (!) for The Discreet Charm of the Bourgeousie, Day for Night, Madame Rosa and  Get Our Your Handkerchiefs  -- they've only won once. That was for 1992's Indochine which also landed Catherine Deneuve her only nomination. I'm still sad they lost when The Class (2008) was up for the naked gold man. What a brilliant film that was.

But speaking of Indochine (pictured left) it's interesting that virtually all distributors, even the ones who are good at pushing foreign films like Sony Pictures Classics, have forgotten how much more momentum you can gather if you open in the actual calender year and get yourself on top ten lists and in other Oscar category races, too.

I recognize there are holes in this theory. It didn't work for Amélie but you know that year had to have been a squeaker with the Bosnian film No Man's Land just edging it out. And it didn't work for The White Ribbon unless you consider that maybe it wouldn't have even been nominated (not exactly their favorite style of film) if it hadn't been able to build such a huge tidal wave of "masterpiece" citations before they had to vote on the nominees plus a last weekend of December release is hardly a "momentum" date.

But still... I'm hoping at least two of the future nominees find a way to play in theaters before the end of the calendar year instead of waiting for February or March and banking on the elusive Oscar spotlight.

Germany to The Netherlands. Greece's Dogtooth and India's Peepli [Live] have had US releases prior to submission announcements. But they're lonely. While many of the submissions have played at either Toronto or Sundance only three (thus far) have seen the insides of regular movie theaters. The other one is Peru's moving gay drama Contracorriente (Undertow).

Norway to Venezuela. I can't imagine Oscar going for Thailand's absolutely bizarre Uncle Boonmee... having now seen it. But I remain pleased that it's in the mix. That said -- and maybe I'm alone in this -- but I think it's more accessible than Apichatpong Weerathesakul's most succesful export thus far, Tropical Malady so I think it could theoretically nab some attention once it's in theaters. How much and when remains to be seen. (More on "Joe's" filmography here in the "Modern Maestros" series.)

I need help. I have been unable to locate movie posters (I have stills already) and official sites for Iran's Farewell Baghdad, Israel's The Human Resources Manager and Macedonia's Mothers if anyone can provide.

Which country are you rooting for thus far? I've seen but three official submissions thus far (Thailand, France and Peru) and all would make worthwhile or at least solid nominees and in roughly that order of preference... More please!
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