Julianne vs. Cate. Plus: What's Wrong With Hugo's Face?

Have you ever seen the movie Vanya on 42nd Street (1994)? It's really quite good. The movie plays something like a fly on the wall rehearsal documentary of a stage production of Anton Chekov's immortal "Uncle Vanya." It marked the first important clue that Julianne Moore was going to be a major screen goddess (unless you count Short Cuts as just that, which some do) and it also gave Brooke Smith her first worthwhile role after achieving a kind of 'who is that she looks so familiar?' fame as "The Girl in the Pit" in Silence of the Lambs.

Two "Yelena"s: Cate (on stage) and Julianne (on film)

It's a worthwhile rental so long as you give it your full attention as it's full of intricacies and performances of quiet but potent dramedic depth.  If you're in Australia, though, you can see more than a rehearsal. You can see the real thing on stage.


VANYA ON 42ND STREET


VANYA ON PIER 4, HICKSON ROAD

Andrew Upton (Mr. Cate Blanchett) has adapted the play for the Sydney Theater Company. The cast is full of familiar Australian movie faces like Cate herself, Hugo Weaving, Richard Roxburgh (Moulin Rouge!) and this year's Best Supporting Actress hopeful Jacki Weaver (Animal Kingdom). I expect a full report from Australian readers who get a chance to see it. Do as I say! The production is currently playing and runs through January 1st, 2011.

Can Cate's "Yelena" measure up to Julianne's sublime take?

And when is Hugo Weaving going to get another worthwhile film role? Lately the movies have reduced him to a disembodied voice or cameo player in noisy "event" movies (V For Vendetta, Lord of the Rings, Transformers). His next big role is the villainous Red Skull in Captain America: The First Avenger. But given the role, we still won't really be looking at his face, will we?

And what's wrong with his face, I ask. It's got real character. Stop hiding him, moviemakers!

Love 'em and Leave 'em? A Brief Memory of Russell Crowe.

Have you ever loved a performance so much that your subsequent disinterest in the same actor is actually hard to wrap your head around? That's me when it comes to Russell Crowe.

I love everything about him in L.A. Confidential... but in particular the way he looks at Kim Basinger. God, the way he looks at her. It's just riveting. He easily made my Best Actor shortlist in 1997. For the record it went like so...

• Russell Crowe, LA Confidential
• Johnny Depp, Donnie Brasco
• Christopher Guest, Waiting for Guffman
• Ian Holm, The Sweet Hereafter *winner*
• Mark Wahlberg, Boogie Nights

I'd probably rejigger to make Christopher Guest the winner now that it's been 13 years (yes, Guffman arrived in '97 even though it's listed as '96 everywhere) and that performance is still the most hilarious I think I've ever seen.

But I'm veering off topic. Damnit.

Back on. I watched a few key Confidential scenes after reading Craig's Take Three: Kim Basinger this weekend and fell for Crowe's "Bud White" (great character name) all over again. Before L.A. Confidential hit I had only seen him in the Australian movie Proof (1991, not the Gwynnie Paltrow movie -- this one is more interesting) and in the western The Quick and the Dead (1995). And after L.A. I rented another Australian movie The Sum of Us (1994) and also loved him there.

So back in 1997 I assumed he was totally my new favorite actor. He became everyone else's favorite actor (at least for a few years)... but weirdly not mine. Not mine at all. So now when he has a new movie out (like The Next Three Days) it almost doesn't register with me.

<--- Crowe in Proof (1991).

I lost interest so quickly.

Have you ever had that happen to you with an actor / actress that you just really thought was going to be a personal fav? Does it mean that we let external forces get in the way? Does it mean we never loved the actor/actress but just the role they won / did justice to? Or maybe it's a complicated mix of all sorts of things like media saturation, public persona, film choices, personal quirks.

I'd love to hear stories if this has ever happened to you...
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What if "Australia" Had Ended Here?

On this very day in 1939, Australia's Northern Standard incorrectly assumed that The Lady Ashley (Nicole Kidman) and her Drover (Hugh Jackman) had both perished in the Kuraman Desert!

Newspapers. They've always had it rough; The second you publish something it's ancient history.

Just as soon as this news was making the rounds the lady and her cattle driving man, rode into town in a cloud of triumphant dust and defeated their main rival. They won! Celebratoryparties, long delayed lovemaking and a return to the now thriving Faraway Downs followed.  After a short orgiastic montage of Australia's natural beauty (the country's and the movie's), the epic movie ends with a speech by the young narrator Nullah (Brandon Walters)

Just like Drover say 'that rain make everything come alive.' The land it grow green and fat and we all go back to Faraway Downs. Mrs Boss happy. Drover Happy. 

I hear for the first time that thing called Christmas. Then the rain, it stops. And then Drover, he go droving. The Mrs Boss, she always misses Drover. But I know, he's going to come back.

How perfect are these golden shots as closing romantic images?

Only there's no closing. The epic movie didn't end there, not on October 29th (and the cattle drive was already quite a movie) or with Nullah's first Christmas. Or even after the Drover went a-drovin' again, an amusingly brief montage which consists only of this leaving and returning, beautifully illustrating a family falling into its future pattern.

But there's a lot more adventure, World War II adventure, coming. There's roughly sixty more minutes of it. I've often thought that had Australia wrapped up with that three shot shown above and this clear romantic narrative about the formation of a family (after one hour and forty-three minutes of a rousing western adventure), the critics and audiences might have been kinder. Wasn't Australia's main sin only that it was desperately overstuffed, that it didn't trust that one adventure, one tone, or one lead character arc was enough and it had to pack in at least a few of everything? Sometimes less is more, even for gorgeous sun-kissed epic that aspire to the mythic.

Australia came out two years ago and though two years isn't a long time, you rarely hear people discuss this one anymore. Have any of you watched it recently? If you haven't seen it since its premiere, what is your most vivid memory of it?
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Animal Kingdom To Rack Up Awards (...In Australia)

Remember that one year (2001) when the list-happy AFI (American Film Institute) decided to compete with the Globes and the Oscars in year end prizes? No, that didn't last long. But there's another AFI, The Australian Film Institute, that has been around for a long time and is in no such danger of being a one-off. This year, they're all about the amazing family crime drama Animal Kingdom which they awarded with a record breaking 18 nominations. Sure, the film is in danger of being way overhyped for people who are coming to it late (which is just about everyone given the sorry state of international distribution for dramas of virtually any kind) but for those who can slough off the "omg" raves, I guarantee you'll think it at least an insinuating and well executed crime drama.

AFI Favorites with multiple nominations

Its main competition for the coveted prizes, if you go by nomination counts, is Bright Star (different eligibility calendar over there in Australia). I haven't really covered the Australian Awards before -- we lean on Glenn for that -- but since i've seen three of their Best Picture nominees this time around (the two leaders plus the aborigine musical Bran Nue Dae), why not?

Complete nomination list -- with more Oscar adjacent & actor related comments -- after the jump.




AFI Members’ Choice Award

• Animal Kingdom. Liz Watts.
• Beneath Hill 60. Bill Leimbach.
• Bran Nue Dae. Robyn Kershaw, Graeme Isaac.
• Bright Star. Jan Chapman, Caroline Hewitt.
• The Boys Are Back. Greg Brenman, Tim White.
• Tomorrow When The War Began. Andrew Mason, Michael Boughen.

SAMSUNG Mobile AFI Award for Best Film

• Animal Kingdom. Liz Watts.
• Beneath Hill 60. Bill Leimbach.
• Bran Nue Dae. Robyn Kershaw, Graeme Isaac.
• Bright Star. Jan Chapman, Caroline Hewitt.
• The Tree. Sue Taylor. Yaël Fogiel.
• Tomorrow When The War Began. Andrew Mason, Michael Boughen.

I'm actually not sure which of these categories Australian's consider their "Best Picture" but it's mostly the same competition anyway with only the widower drama The Boys Are Back and the widow drama The Tree working Swing position. Maybe Clive Owen  &  Charlotte Gainsbourg, who star as those grieving single parents, should've just gotten married to end their suffering: The Tree is Back!  

AFI Award for Best Direction

• Animal Kingdom. David Michôd.
• Beneath Hill 60. Jeremy Hartley Sims.
• Bright Star. Jane Campion.
• The Tree. Julie Bertuccelli.

Macquarie AFI Award for Best Original Screenplay

• Animal Kingdom. David Michôd.
• Beneath Hill 60. David Roach.
• Bright Star. Jane Campion.
• Daybreakers. Peter Spierig, Michael Spierig.

It'd be nice to see Michôd fighting for a spot with Oscar in the Original Screenplay category, but even with screeners going out so early, that could be a tough sell. But still, his is an unusually taut and smart script.

Macquarie AFI Award for Best Adapted Screenplay

• Bran Nue Dae. Reg Cribb, Rachel Perkins, Jimmy Chi.
• The Boys Are Back. Allan Cubitt.
• The Tree. Julie Bertuccelli.
• Tomorrow When The War Began. Stuart Beattie.

AFI Award for Best Cinematography

• Animal Kingdom. Adam Arkapaw.
• Beneath Hill 60. Toby    Oliver ACS.
• Bright Star. Greig Fraser.
• The Waiting City. Denson Baker ACS

With apologizes to the two films here I haven't seen I'll be disappointed if Greig Fraser loses this. I'm still mortified that he collected so few nominations and wins here in America. Bright Star is jaw-droppingly beautiful. It's a shame the way it was treated in last year's Oscar race. 

AFI Award for Best Editing

• Animal Kingdom. Luke Doolan.
• Beneath Hill 60. Dany    Cooper ASE.
• Bright Star. Alexandre de Franceschi ASE.
• Tomorrow When The War Began. Marcus D’Arcy.

AFI Award for Best Sound

• Animal Kingdom. Sam Petty, Rob Mackenzie, Philippe Decrausaz.
• Beneath Hill 60. Liam    Egan, Alicia Slusarski, Mark Cornish, Tony Murtagh.
• Bran Nue Dae. Andrew Neil, Steve Burgess, Peter Mills, Mario Vaccaro, Blaire Slater, David Bridie, Scott Montgomery.
• Tomorrow When The War Began. Andrew Plain, David Lee, Gethin Creagh, Robert Sullivan.

AFI Award for Best Original Music Score

• Animal Kingdom. Antony Partos, Sam Petty.
• Beneath Hill 60. Cezary Skubiszewski.
• Bran Nue Dae. Cezary   Skubiszewski, Jimmy Chi, Patrick Duttoo Bin Amat, Garry Gower, Michael Manolis Mavromatis, Stephen Pigram.
• Bright Star. Mark Bradshaw.

Bran Nue Dae does have fun musical numbers though typically the trailer doesn't really play that up.

AFI Award for Best Production Design

• Animal Kingdom. Jo Ford.
• Beneath Hill 60. Clayton Jauncey.
• Bright Star. Janet Patterson.
• Tomorrow When The War Began. Robert Webb, Michelle McGahey, Damien Drew, Bev Dunn.

AFI Award for Best Costume Design

• Animal Kingdom. Cappi Ireland.
• Beneath Hill 60. Ian Sparke, Wendy Cork.
• Bran Nue Dae. Margot Wilson.
• Bright Star. Janet Patterson

AFI Award for Best Lead Actor

• Brendan Cowell. Beneath Hill 60.
• James Frecheville. Animal Kingdom.
• Ben Mendelsohn. Animal Kingdom.
• Clive Owen. The Boys Are Back.

AFI Award for Best Lead Actress

• Abbie Cornish. Bright Star.
• Morgana Davies. The Tree.
• Charlotte Gainsbourg. The Tree.
• Jacki Weaver. Animal Kingdom.

I had assumed that Abbie Cornish could finally collect a trophy for Bright Star until I realized that Jacki Weaver was sharing this category. Though she is absolutely the centrifugal force in Animal Kingdom, she's not really the lead (that'd be Frecheville... and arguably Mendelsohn) and she's offscreen quite a lot and sometimes backgrounded within the scenes she is in.

AFI Award for Best Supporting Actor

• Joel Edgerton. Animal Kingdom.
• Guy Pearce. Animal Kingdom.
• Kodi Smit-McPhee. Matching Jack.
• Sullivan Stapleton. Animal Kingdom.

Tattoed and Tormented: Sullivan Stapleton in Animal Kingdom

I need to take this opportunity to thank the AFI for not nominated Geoffrey Rush who is typically so far over the top he's back down again in Bran Nue Dae. But I am surprised that they saw through his extravagant hamming given his Master Thespian rep. This is a war of cops vs. criminals from Animal Kingdom with wee Kodi as the potential beneficiary of vote splitting. My favorite of the three Kingdom men is Sullivan Stapleton as the tattooed and tightly-wound comparatively tender Craig. But not knowing anything about AFI politics or Australian favoritism, I'm assuming that Pearce is most likely to win given his stardom that he gets the film's big theme-speaking moment.

AFI Award for Best Supporting Actress

• Julia Blake. The Boys Are Back.
• Kerry Fox. Bright Star.
• Deborah Mailman. Bran Nue Dae.
• Laura Wheelwright. Animal Kingdom.

In case you're wondering, Wheelwright plays the teen girlfriend of Animal Kingdom's lead character. I'm pleased to see Fox given props for her subtle but very well modulated reactive mother role in Jane Campion's romantic biopic.

AFI INTERNATIONAL AWARD FOR BEST ACTOR

• Simon Baker. The Mentalist, Season 2. Nine Network
• Ryan Kwanten. True Blood, Season 3. Showcase
• Kodi Smit-McPhee. The Road
• Sam Worthington. Avatar

I haven't yet seen Season 3 but it's nice to see acclaim for Ryan Kwanten who is True Blood's secret weapon, if you ask me. He's just so funny. He offers up a very smart take on a very dim character. As for Kodi, I wrote extensively about The Road here.

AFI I International Award for Best Actress

• Toni Collette. United States of Tara, Season 2. ABC1
• Bojana Novakovic. Edge of Darkness
• Mia Wasikowska. Alice in Wonderland
• Naomi Watts. Mother and Child

Um. Ewwww. on the Wasikowska nomination. I think she's quite a good actress but I think she's quite ungood in that movie. Meanwhile: Go TONI!!!

AFI Young Actor Award

• Ashleigh Cummings. Tomorrow When The War Began
• Morgana Davies. The Tree
• James Frecheville. Animal Kingdom
• Harrison Gilbertson. Beneath Hill 60

AFI Visual Effects Award

• Daybreakers. Peter Spierig, Michael Spierig, Rangi Sutton, James Rogers, Randy Vellacott
• The Tree. Dave Morley, Felix Crawshaw, Claudia Lecaros, Tim Walker
• Tinglewood. Wil Manning
• Tomorrow When The War Began. Chris Godfrey, Sigi Eimutis, Dave Morley, Tony Cole

AFI AWARD FOR BEST CHILDREN’S TELEVISION DRAMA

• Dance Academy. Joanna Werner ABC
• Dead Gorgeous. Ewan Burnett, Margot McDonald. ABC
• Lockie Leonard. Kylie     Du Fresne. Nine Network
• My Place. Penny Chapman. ABC

AFI AWARD FOR BEST CHILDREN’S TELEVISION ANIMATION

• dirtgirlworld. Cate McQuillen. ABC
• Erky Perky. Kristine Klohk, Barbara Stephen, Tracy Lenon. Seven Network
• The Legend Of Enyo. Avrill Stark, Michael Christensen. Seven Network

AFI Award for Best Television Comedy Series

• Lowdown. Nicole Minchin, Amanda Brotchie, Adam Zwar. ABC
• Review With Myles Barlow, Season 2. Dean Bates. ABC
• Wilfred II. Jenny Livingston, Tony Rogers, Adam Zwar, Jason Gann. SBS

AFI Award for Best Light Entertainment Television Series

• The Gruen Transfer, Series 3. Andrew Denton, Anita Jacoby, Jon Casimir, Debbie Cuell. ABC1
• Hungry Beast, Series Two. Andrew Denton, Andy Nehl. ABC1
• MasterChef Australia. Margaret Bashfield, Judy Smart, Caroline Spencer. Network Ten
• Talkin’ ’bout Your Generation. Peter Beck. Network Ten

AFI Award for Best Television Drama Series

• The Circuit, Series 2. Ross Hutchens, Colin South. SBS
• Rush, Season 3. John Edwards, Mimi Butler. Network Ten
• Spirited. Claudia Karvan, Jacquelin Perske, John Edwards. W
• Tangle, Season 2. John Edwards, Imogen Banks. Showcase

AFI Award for Best Telefeature, Mini Series or Short Run Series

• A Model Daughter: The Killing Of Caroline Byrne. Karl Zwicky. Network Ten
• Hawke. Richard Keddie. Network Ten

AFI Award for Best Direction in Television

• Dance Academy – Episode 2, ‘Week Zero’. Jeffrey Walker. ABC
• Hawke. Emma   Freeman. Network Ten
• Rush, Season 3 – Episode 308, ‘Train’. Grant Brown. Network Ten
• Tangle, Season 2 – Episode 16, ‘Lost and Found’. Emma Freeman. Showcase

AFI Award for Best Screenplay in Television

• Hawke. Glen Dolman. Network Ten
• Review With Myles Barlow, Season 2 – Episode 6, ‘Happiness, Escapism, Acceptance’. Trent O’Donnell, Phil Lloyd. ABC
• Tangle, Season 2 – Episode 15, ‘Sleepwalking’. Fiona Seres. Showcase
• Wilfred II – Episode 7, ‘Dog Star’. Jason Gann, Adam Zwar. SBS

AFI Award for Best Lead Actor in a Television Drama

• Garry McDonald. A Model Daughter: The Killing Of Caroline Byrne. Network Ten
• Corey McKernan. Lockie Leonard. Nine Network
• Aaron Pedersen. The Circuit, Series 2. SBS
• Richard Roxburgh. Hawke. Network Ten

AFI Award for Best Lead Actress in a Television Drama

• Cheree Cassidy. Underbelly: The Golden Mile – Episode 7, ‘Full Force Gale’. Nine Network
• Justine Clarke. Tangle, Season 2. Showcase
• Poppy Lee Friar. Dead Gorgeous. ABC
• Catherine McClements. Tangle, Season 2. Showcase

AFI Award for Best Guest or Supporting Actor in a Television Drama

• Damien Garvey. Underbelly: The Golden Mile – Episode 10, ‘Hurt on Duty’.  Nine Network
• Rhys Muldoon. Lockie Leonard – Episode 11, ‘Snake Hide Oil. Nine Network
• John Waters. Offspring. Network Ten
• Ben Winspear. My Place – Episode 5, ‘1968 Sofia’. ABC

AFI Award for Best Guest or Supporting Actress in a Television Drama

• Linda Cropper. Satisfaction, Season 3 – Episode 8, ‘Not Vanilla’. Showcase
• Sacha Horler. Hawke. Network Ten
• Asher Keddie. Hawke. Network Ten
• Deborah Mailman. Offspring. Network Ten

AFI Award for Best Performance in a Television Comedy

• Paul Denny. Lowdown. ABC
• Jason Gann. Wilfred II. SBS
• Phil Lloyd. Review With Myles Barlow, Season 2. ABC

AFI Award for Best Feature Length Documentary

• Contact. Martin Butler, Bentley Dean. ABC1
• Inside The Firestorm. Lucy Maclaren, Alex West. ABC
• The Snowman. Rachel Landers, Dylan Blowen.
• Strange Birds In Paradise – A West Papuan Story. Jamie Nicolai, John Cherry.

AFI Award for Best Documentary Under One Hour

• A Thousand Encores: The Ballets Russes In Australia. Sharyn Prentice, Marianne Latham, Lavinia Riachi. ABC
• Rudely Interrupted. Susie Jones, Benjamin Jones. ABC1
• Surviving Mumbai. Andrew Ogilvie, Andrea Quesnelle. ABC
• You Only Live Twice – The Incredibly True Story Of The Hughes Family. Ruth Cullen. ABC1

AFI Award for Best Documentary Series

• Addicted To Money. Andrew     Ogilvie, Andrea Quesnelle. ABC
• Disable Bodied Sailors. Karina Holden, Nick Robinson. SBS
• Kokoda. Andrew Wiseman. ABC1
• Liberal Rule- The Politics That Changed Australia. Nick Torrens, Frank Haines. SBS

AFI Award for Best Direction in a Documentary

• A Thousand Encores: The Ballets Russes In Australia. Amanda Chang. ABC
• Contact. Martin Butler, Bentley Dean. ABC1
• Inside The Firestorm. Jacob Hickey. ABC
• Strange Birds In Paradise – A West Papuan Story. Charlie Hill-Smith.

AFI Award for Best Cinematography in a Documentary

• Disable Bodied Sailors – Episode 3. Nick Robinson. SBS
• Miracles - Episode 1, ‘Miracle in the Storm’. Tony Oliver ACS. ABC1
• Strange Birds In Paradise – A West Papuan Story. Angus Kemp.
• Surviving Mumbai. Jim Frater. ABC

AFI Award for Best Editing in a Documentary

• A Thousand Encores: The Ballets Russes In Australia. Karin Steininger. ABC
• Contact. Tania  Nehme. ABC1
• Inside The Firestorm. Steven    Robinson. ABC
• Surviving Mumbai. David Fosdick. ABC

AFI Award for Best Sound in a Documentary

• A Thousand Encores: The Ballets Russes In Australia. Brett Aplin, Andrew McGrath, Erin McKimm. ABC
• Inside The Firestorm. Jock Healy, Tristan Meredith. ABC
• Kokoda – Episode 1, ‘The Invasion’. David Bridie, Chris Goodes, Ian Grant, Patrick Slater. ABC1
• Strange Birds In Paradise – A West Papuan Story. Mik la Vage, Doron Kipen, David Bridie.

AFI Award for Best Short Animation

• The Lost Thing. Sophie Byrne, Andrew Ruhemann, Shaun Tan.
• Zero. Christopher Kezelos, Christine Kezelos.

AFI Award for Best Short Fiction Film

• Deeper Than Yesterday. Ariel Kleiman, Benjamin Gilovitz, Sarah Cyngler, Anna Kojevnikov.
• The Kiss. Sonya Humphrey, Ashlee Page.
• The Love Song Of Iskra Prufrock. Lucy Gaffy, Lyn Norfor.
• Suburbia. Antonio Oreña-Barlin, Richard Halsted.

AFI Award for Best Screenplay in a Short Film.

• A Parachute Falling In Siberia. Sarah Shaw, Ian Meadows.
• Deeper Than Yesterday. Ariel Kleiman.
• Glenn Owen Dodds. Trent Dalton.
• The Kiss. Ashlee Page

I know the Film Experience has plentiful Australian readers -- i can see the stats, don't hide! --  so let us know: How did the AFI do this year? As for the rest of you, do you think Jacki Weaver is going to pull off that Supporting Actress Slot with the American Academy? And do you share the love of Kwanten on True Blood and Collette as Tara?